Sam Rivers: Contours ‎ (LP, Album, RP, Lib) Blue Note: BST 84206: US: 1967: Sell This Version: BNST 36509: Sam Rivers: Contours ‎ (LP, Album, RE) Blue Note: BNST 36509: Italy: 1978: Sell This Version: Recommendations Reviews Show All 17 Reviews . Reviewed in the United States on October 4, 2020. On Contours, his second Blue Note album, tenor saxophonist Sam Rivers fully embraced the avant-garde, but presented his music in a way that wouldn't be upsetting or confusing to hard bop loyalists. This is, quite simply, fascinating music. When Rivers picks up the flute I'm on love though. Reissued as a limited edition connoisseur series CD, this '65 Blue Note outing sparkles anew with 24-bit remastered sound. Marked up with blemishes and sleeve scuffs. Share. We don’t share your credit card details with third-party sellers, and we don’t sell your information to others. This pressing sounds amazing, and with beautiful gatefold covers. The mastering, pressing, and sleeves are all top-notch and priced right. 100% analog mastered from original tapes by the maestro, Kevin Gray, Joe Harley’s Music Matters Jazz style, impeccable packaging, excellent RTI pressing. Great pressing. Blue Note can basically just have my money at this point, no questions asked, regarding the Tone Poet series. The Tone Poet series from Blue Note really is amazing! Saxophonist & flutist Sam Rivers followed-up his striking debut Fuchsia Swing Song with the tremendous album Contours, which was recorded at Rudy Van Gelder’s Englewood Cliffs, NJ studio in 1965 with a top flight band featuring Freddie Hubbard on trumpet, Herbie Hancock on piano, Ron Carter on bass, and Joe Chambers on drums. Hancock plays well enough but this would've been at least half a star better if some truly FREE player was behind the piano. Clear, Beautiful and warm sound. instrumental, acoustic, technical, suspenseful, improvisation, anxious, mysterious, chaotic, Bonus Tracks, Limited Edition, Remastered, Bonus Tracks, Content/Copy Protected, Limited Edition, Remastered, 180 gram, 33 rpm, Gatefold, Limited Edition, Remastered. Reviewed in the United States on March 29, 2019, Reviewed in the United States on March 16, 2019. Außerdem analysiert es Rezensionen, um die Vertrauenswürdigkeit zu überprüfen. Each musician is able to play the extremes equally well while remaining sensitive to the compositional subtleties. The playing gets a bit wild at times, but Hubbard's and Rivers' sharp and intense solos don't thrill me much. The thick laminated gatefold cover exudes real quality. We work hard to protect your security and privacy. Bought from 'all your music' on ebay (total: £29.00 incl shipping from US to UK, new and sealed copy). With trumpeter Freddie Hubbard, pianist Herbie Hancock, bassist Ron Carter and drummer Joe Chambers providing support, it's little wonder that Rivers' four lengthy compositions all come out winners. Likewise, don't respond to trollish comments; just report them and ignore them. Don't use this space to complain about the average rating, chart position, genre voting, others' reviews or ratings, or errors on the page. Unlike pianist Andrew Hill, who, late in life, is finally being awarded the accolades he deserves, saxophonist/flautist Sam Rivers never received his proper due and continues to work in relative obscurity. 4 tracks (40:12). There's a problem loading this menu right now. If you are a jazz fan you need to get the Tone Poet series on 180 gram vinyl. Rarely is Contours anything less than enthralling, and it remains one of the high watermarks of the mid-'60s avant-garde movement. Another one hit outta the park by the Tone Poet series from Blue Note. Rivers leads a quintet featuring trumpeter Freddie Hubbard, pianist Herbie Hancock, bassist Ron Carter, and drummer Joe Chambers through a set of originals that walk a fine line between probing, contemplative post-bop and densely dissonant avant-jazz. The Tone Poet series from Blue Note really is amazing! On Contours, his second Blue Note album, tenor saxophonist Sam Rivers fully embraced the avant-garde, but presented his music in a way that wouldn't be upsetting or confusing to hard bop loyalists. I have other sealed albums in this series that I've not gotten around to playing yet. Released in February 1967 on Blue Note (catalog no.

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