View upcoming auction estimates and receive personalized email alerts for the artists you follow. Not to suggest that this is some investigation into the supernatural or spiritual. Lastly I think the paintings just look good because the paint looks good on jute. Likewise a phrase that continues to creep up internally is the non specific object  Perhaps “approaching meaning” is a more accurate description. Spencer Lewis is a Postwar & Contemporary artist who was born in 1979. We can’t escape / I believe in this evolutionary push towards thingness. Secondly, the negative space of the jute allows for a more dynamic composition. $39,950 - 58,350 Perhaps ambivalence is the best word to use here. $1,413,436 - 2,062,659 The feeling of poetics. Thus again the nihilism: we BELIEVE in nothing. I just read something about artificial intelligent computers that create art based on a two core principles. Multiple experiences one structure. Thus the image. Firstly the jute is a beautiful surface in color and texture, even more so than the cardboard. The layering of the works are concerned with maximizing the experience chiefly object-visually, while ignoring the congruity of a single plane of painting. The figurative  But secondly and more over, the sense of a thing is slippery. Oct 25, 2020, Christie's New York Est. Oct 10,2020 However, as Ive said elsewhere like the cardboards, the jutes are an object first. If I’ve learned anything about perception I know that the meaning of a thing is ascribed in the mind, towards function. - Jan 17,2021, Museum Ludwig, Cologne Their work was featured in several exhibitions at key galleries and museums, including the ltd los angeles and the MAS, Museum aan de Stroom. I’ll say Decorative essentialism. When I un stretched it the boarder of jute framed my primarily vertical composition, due to the larger width of my jute 76”. Oct 06, 2020, Sotheby's Hong Kong A final thought for the night. The gestural. Any type of paint color stroke spit shit piss I put on the jute looks beautiful. How much pain and disgust can we handle in our visual pleasure? $561,161 - 726,379 Dropping with an album installation at Over The Influence with DRx Romanelli and Spencer Lewis. Oct 10,2020 It’s no different in my mind of each mark I make on the painting. Oct 06, 2020, National Gallery of Art, Washington D.C. Spencer Lewis is a Postwar & Contemporary artist who was born in 1979. These paintings are basically a crude form of drawing. Their work was featured in numerous exhibitions at key galleries and museums, including the Harper's Books. Est. So I’m interested deeply in language, non verbal of course, but moreover I’m interested in the sense of meaning. Spencer Lewis has been featured in articles for the ArtDaily and the "JUXTAPOZ". The sculptural  Each piece of form as gesture or line of code, syncs to, I think, a pattern of a compositional based formalism. But I think moreover human drawing and sculpture, ie painting, is indexical of the mind. The two parts compete as it were, one creating an image the other passing or failing that image based on their image set training. Total Sold Value $340,851,500 I once was in a show where my artist statement was: I’m interested in ideas just not specific ones  Beginning with extensive studies comprised of sketches and digital paintings, he then works with a variety of media: acrylics, spray paint, tape, yarn, pastels, cardboard, graphite-on-canvas, and other sculptural materials.

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