With the role of language set, Castiglione begins to describe the style and authority in which the courtier must write in order to become successful. Andrew Dickson follows the progress of the Renaissance through Europe, and examines the educational, religious, artistic and geographical developments that shaped culture during the period. The book quickly became enormously popular and was assimilated by its readers into the genre of prescriptive courtesy books or books of manners, dealing with issues of etiquette, self-presentation, and morals, particularly at princely, or royal courts, books such as Giovanni Della Casa's Galateo (1558) and Stefano Guazzo's The civil conversation (1574). The Count explains, "it is right that greater pains would be taken to make what is written more polished and correct…they should be chosen from the most beautiful of those employed in speech" (Courtier 71). This also illustrates the Count's response on the relativity of language in Latin. Summary. The book of the courtier Item Preview remove-circle Share or Embed This Item. The Book of the Courtier by Baldassare Castiglione, is a lengthy philosophical dialogue on the topic of what constitutes an ideal courtier or (in the third chapter) court lady, worthy to befriend and advise a Prince or political leader. She's graceful and elegant without revealing the effort that goes into cultivating her appearance and talents. Pietro Bembo encourages the others to think of love as a longing for beauty. These words must be factual yet entertaining as the Count states, “then, it is necessary to arrange what is to be said or written in its logical order, and after that to express it well in words that, if I am not mistaken, should be appropriate, carefully chosen, clear and well formed, but above all that are still in popular use" (Courtier 77). Lady Elisabeta Gonzaga (eh-leez-ah-BEHT-ah gon-ZAH-gah), who became duchess of Urbino when she married Duke Guidobaldo in 1488. )…all this will be futile and of little consequence if the ideas conveyed by these words themselves are not witty or elegant to the requirements of the situation” (Graham 49). The Book of the Courtier was one of the most widely distributed books of the 16th century, with editions printed in six languages and in twenty European centers. Courtesy literature can be traced back to 13th century German and Italian writers. [3] The 1561 English translation by Thomas Hoby had a great influence on the English upper class's conception of English gentlemen. He wants his advice to apply to all men and women in "the Courts of Christendom" or in Christian-dominated Europe. The courtier to which Castiglione refers is the typical king's or queen's daily visitor or attendant. Chief Conditions or Qualities in a Courtier, Chief Conditions or Qualities in a Waiting Gentlewoman. Though the ideal courtier is modest, he looks for chances to show off his skills. The characters in The Book of the Courtier spend four evenings at Urbino in March, 1507, debating what makes the ideal courtier. Over the course of four evenings, members of the court try to describe the perfect gentleman of the court. Bernardo gives examples of narrative jokes, witty one-liners, and practical jokes. Originally from Lombardy, Lord Gaspar is young, but sickly, and particularly cynical about women. By failing to employ sprezzatura, he destroys his opportunity for grace. According to Castiglione, the courtier is essentially a master at pleasing, entertaining, understanding, advising, and speaking. This form of emphasis on language is noted by Graham as; "Although the Count is aware that more traditional aspects of the orator (appearance, gestures, voice, etc. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Upload them to earn free Course Hero access! By applying sprezzatura to his speech and everything else he does, the courtier appears to have grazia and impresses his audience, thereby achieving excellence and perfection. Edoardo Saccone states in his analysis of Castiglione, “grazia consists of, or rather is obtained through, sprezzatura.”[8]. 20 Mar. He warns that if those in power are corrupt, all others levels of society will suffer: words which prefigure the violent and tragic events of the play. Castiglione's characters opine about how their courtier can impress his audience and win its approval. [7] This partly explains why the group considers the courtier's dress so vital to his success. Castiglione counselled his readers ‘to be seen in tongues’ (digital p. 5), or have the ability to speak modern European languages. It offers a poignantly nostalgic evocation of an idealized milieu — that of the small courts of the High Renaissance which were vanishing in the Italian Wars — with a reverent tribute to the friends of Castiglione's youth, in particular the chastely married Duchess Elisabetta Gonzaga of Urbino, to whom Castiglione had addressed a sequence of Platonic sonnets and who died in 1526.

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